Kamis, 23 September 2010

[N769.Ebook] Ebook Download Billionaire Alpha 2: (A Bad Boy Billionaire Novel), by Ali Parker

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Billionaire Alpha 2: (A Bad Boy Billionaire Novel), by Ali Parker

His Wants. His Needs. His Demands. Your Pleasure. You're Welcome.

Bethany had one more year of school left, and once again, poverty strikes hard. The only option would be to encourage her mother to marry her new boyfriend Kent, a billionaire tycoon in the world of accounting.

Mom is more than happy to move the wedding date up, and Bethany's soon-to-be father is willing to pay for her schooling - on one condition.

She work for his firm as an intern throughout the next year.

She agrees without hesitation, but little does she know that Kent's oldest son, Damon is the CFO. Dark features and a stare that would melt panties, he's everything one might imagine of a Billionaire's spoiled alpha son, her new boss.

Her billionaire boss plays lots of games and though she hates herself for it, Bethany is more than yearning for the chance to fulfill His Needs.

This is book 2 of a long running series. Ends with a HEA.

** 18+ Explicit sex scenes, foul language & an alpha male with a bit of an attitude.

  • Sales Rank: #55183 in eBooks
  • Published on: 2015-07-18
  • Released on: 2015-07-18
  • Format: Kindle eBook

Review
Praise for Ali Parker's Alpha Billionaire, Book 2:

I don't remember the last time I read straight through without stopping, I never put the book down. ~ Amazon Reviewer

Loved this series so much. Must read in order to appreciate it. Box set is so nice, no stopping or waiting.  ~ Amazon Reviewer

You really need to read this series brilliant reading that you won't want to put down.  ~ Amazon Reviewer

Wow, wow, wow. What more can I say? It kept me wonder until the end. I love to read books that keeps me wondering and in suspense. It is very well written and extremely hot. Just the right amount of love scenes and not to explicit. ~ Amazon Reviewer

Most helpful customer reviews

2 of 2 people found the following review helpful.
I have to say it was a great read. Bethany and Damon’s feelings starts to really ...
By Michaela Duarte
I received this book in exchange for an honest review.
This box set started right where it was left in part 4. I have to say it was a great read. Bethany and Damon’s feelings starts to really grow further and you can see their relationship moving.
Will Damon finally let his guard down? Will Bethany give in to her feelings?
Will Damon’s father and Bethany’s mother accept what they have? Or will they reject their children?

Thank you for giving me the opportunity to read this book. It was a good read Ali

2 of 2 people found the following review helpful.
Super Hot Sexy Chemistry
By Kimberly
Ioved this series so much. Must read in order to appreciate it. Box set is so nice, no stopping or waiting. I couldn't stand to be left waiting! This crazy love affair steams up this half. It seems to good to be true. Every time Damon disappoints, he comes back even better. Thank goodness she keeps pushing and does not give up. We all want a guy like this.

1 of 1 people found the following review helpful.
Billionaire Alpha 2
By Ashley Hall
Bethany has just announced her love to Damon then quit her job right before slamming her bedroom door in his face. When he doesn't try harder to get her to open her door she is disappointed. The next day she decides she is going to go to Seattle with him to meet her future step father for an audit. When in Seattle Damon finally gives her what she needs...him, before she leaves him to nap he is sweet to her. But later that day his attitude has changed and the jerk comes back out. When they return home he asks her to stay with him. When he falls asleep her thoughts and fears take over until she calls her mom to come get her. The next day at the office she had Phillip join her for lunch. Damon sees them and is polite but something is off. After lunch she goes straight to his office to see a blond walking out fixing her clothes and lipstick. After they fight she returns to her office to find that he had sent her roses telling her he wanted to try with her. Bethany goes to meet the professor she will be the TA off during her master's program. Later she goes to Damon's where they work I being them. That night when she can't sleep she gets up to watch tv. When her phone goes off and she looks to see all the missed calls and texts from Jake, One of her best friends, she is instantly worried. Damon wakes up and says he will go with her to find out what's wrong. She never expected what she finds. Kris, her roommate, had tried to kill Jake. As time goes on she and Damon become closer, but they remain a secret due to the fact that they are about to be related. One night everyone is at her parent's house when Damon makes an announcement, which just happens to be telling everyone about their dating and that he loves her. They are surprised to learn that everyone already knew it and they are ask okay with it. Most importantly Damon just admitted he loved her. All that is left for them is working through each other's fears. This series was great. Damon and Bethany go so good together. I was gifted this book in exchange for an honest review.

See all 97 customer reviews...

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Sabtu, 18 September 2010

[A306.Ebook] PDF Ebook The Complete E-Commerce Book:Design, Build & Maintain a Successful Web-based Business, by Janice Reynolds

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The Complete E-Commerce Book:Design, Build & Maintain a Successful Web-based Business, by Janice Reynolds

E-commerce is expanding daily as entrepreneurs find new ways to sell and distribute innovative products and services electronically. Having a successful online business requires a well-coordinated plan that takes into account a wide array of elements, including design competency, programming abilities (transactional and database), server configuration, public relations, and sales and marketing abilities.Experts Janice Reynolds and Roya Mofazali cover all these aspects and more in The Complete E-Commerce Guide. They offer practical strategies for helping readers build a Web site with its own unique qualities that will attract visitors and turn them into customers. Included are select comparisons of the many kinds of software needed by e-commerce businesses today, along with sensible advice on implementation and the nuts-and-bolts, day-to-day challenges of running a successful Web company.

  • Sales Rank: #2910233 in Books
  • Brand: Brand: Cmp Books
  • Published on: 2000-10
  • Original language: English
  • Number of items: 1
  • Dimensions: .86" h x 7.00" w x 8.99" l,
  • Binding: Paperback
  • 339 pages
Features
  • Used Book in Good Condition

About the Author
Janice Reynolds formed Janrey Consulting in 1995 to provide technology, marketing, advertising and public relations consulting to information technology and Internet/intranet clients. In addition to her work at Janrey, Reynolds has been a leading player in several Internet startups, including wipnet.com, globalgarage.com and Town24.com. She also provides expert advice to budding entrepreneurs as the E-commerce Expert on allbusiness.com. Reynolds' publishing experience includes serving as a roving editor and writer for CMP publications; editing books on the Internet, networking, telecommunications and telephony including "The Computer Telephony Encyclopedia" and writing "Logistics and Fulfillment for E-Business".

Most helpful customer reviews

69 of 70 people found the following review helpful.
Out of Date, For Millionaires and Poorly Edited
By A Customer
This book was a pretty big disappointment and obviously written before the Net bubble burst. I am very surprised by all the 5-star reviews here... makes one go hmmm...
First, the book is out of date already. Published in the beginning of 2000 means it was written in 1999 and it shows. Many of the links are dead, or the businesses have changed their focus or been taken over by someone else. The recommendations are for the time when venture capital was plenty and business plans were optional. Those days are over...
Second, this book is geared to a millionaire who has big bucks to blow. There is information on servers and RAID redudancy that is too detailed for the non-techie and too shallow for the tech savvy. I doubt many people starting up an e-business today are looking to spend close to a million. They are looking for a "guerilla" style e-commerce book to get up and running under a few thousand dollars. And, yes, it can be done! I guess I'll have to write that book if no one else does.
Third, this book is poorly edited with incorrect subject/verb agreement and accept/except style grammatical confusion. Unfortunately I have come to expect poor editing in programming books, but c'mon, this is a book written for a general audience without coding... get a decent editor!
I do give this book one star over the minimum because it does contain some good material but it is not worth buying. Find it in a library or bookstore to copy the useful information as it is not useful as a reference or worth a close read.

9 of 10 people found the following review helpful.
�Best of Breed� on thisTopic!
By SV
Excellent book! I consult in the area of Internet/Technology start-up development and marketing from the heart of Silicon Valley for clients world wide and read this well written book to glean a deeper insight into the internal workings from a deeper technology perspective (for the nuts and bolts), than what I am usually exposed to and was very pleased by both the material coverage and presentation. I simply do not have much time to read but I took the time to read this important book over a few nights as it directly relates to being successful on the net. Few books I have read have had more direct impact on my overall understanding of a topic.
Unlike most books in this particular space that I have skimmed/read, this book is not dry or long-winded. The coverage length of each topic is in relation to its importance and is wide enough to give you the connections between the subtopics to make sense of e-commerce. I have spent many hours looking for a book that covered this topic without taking either the "Dummy" or "Idiot" attitude on the low-end or the boring academic text on the high-end.
This book exceeded my expectations and I would suggest it to industry professional and first-time netrepreneur alike. In my opinion, this is the "Best of Breed" book and plan on suggesting its reading in an intern program I am leading at a well-known Silicon Valley business school. If I could only have one book on the topic of e-commerce - this would be it. Good work!

5 of 5 people found the following review helpful.
recommend this book as an addition to your reference library
By A Customer
This book provides an introduction to the various technical and business aspects of e-commerce for the business executive. The author delves into some of the more technical aspects, such as how a company can connect its databases to off-the-shelf e-commerce software and describes what a server does and give an overview of the features of the top-selling server software. She also summarizes the possibilities of electronic payments and how they work, as well as the kinds of security that are needed in various parts of an e-commerce network and why. The final chapters in the book provide an in-depth look at marketing, order processing and fulfillment and customer service. Readers without a great deal of technical expertise should have no trouble understanding it as the author focuses on the details in a way that delivers concise, cohesive, and coherent ideas to the layperson. Although you might find a better book, this book does have an extensive glossary and good directory of Web resources. All in all, I highly recommend making this book as an addition to your reference library!

See all 13 customer reviews...

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Senin, 13 September 2010

[M954.Ebook] Fee Download A Demon of Our Own Design: Markets, Hedge Funds, and the Perils of Financial Innovation, by Richard Bookstaber

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A Demon of Our Own Design: Markets, Hedge Funds, and the Perils of Financial Innovation, by Richard Bookstaber

Inside markets, innovation, and risk

Why do markets keep crashing and why are financial crises greater than ever before? As the risk manager to some of the leading firms on Wall Street–from Morgan Stanley to Salomon and Citigroup–and a member of some of the world’s largest hedge funds, from Moore Capital to Ziff Brothers and FrontPoint Partners, Rick Bookstaber has seen the ghost inside the machine and vividly shows us a world that is even riskier than we think. The very things done to make markets safer, have, in fact, created a world that is far more dangerous. From the 1987 crash to Citigroup closing the Salomon Arb unit, from staggering losses at UBS to the demise of Long-Term Capital Management, Bookstaber gives readers a front row seat to the management decisions made by some of the most powerful financial figures in the world that led to catastrophe, and describes the impact of his own activities on markets and market crashes. Much of the innovation of the last 30 years has wreaked havoc on the markets and cost trillions of dollars. A Demon of Our Own Design tells the story of man’s attempt to manage market risk and what it has wrought. In the process of showing what we have done, Bookstaber shines a light on what the future holds for a world where capital and power have moved from Wall Street institutions to elite and highly leveraged hedge funds.

  • Sales Rank: #527964 in Books
  • Brand: Wiley
  • Published on: 2008-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, .79 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Great product!

Review
“Mr. Bookstaber wrote one of the best books about the causes of the financial crisis, A Demon of Our Own Design, and did so before the crisis erupted.”-- Floyd Norris, New York Times (June 25, 2009)

"A risk-management maven who's been on Wall Street for decades…Bookstaber's book shows us some complex strategies that very smart people followed to seemingly reduce risk—but that led to huge losses." (Newsweek)

"Mr. Bookstaber is one of Wall Street's 'rocket scientists'--mathematicians lured from academia to help create both complex financial instruments and new computer models for making investing decisions. In the book, he makes a simple point: The turmoil in the financial markets today comes less from changes in the economy--economic growth, for example, is half as volatile as it was 50 years ago--and more from some of the financial instruments (derivatives) that were designed to control risk." (The New York Times)

"Bright sparks like Mr Bookstaber ushered in a revolution that fuelled the boom in financial derivatives and Byzantine 'structured products.' The problem, he argues, is that this wizardry has made markets more crisis-prone, not less so. It has done this in two ways: by increasing complexity, and by forging tighter links between various markets and securities, making them dangerously interdependent." (The Economist)

"He understands the inner workings of financial markets...A liberal sparkling of juicy stories from the trading floor..." (The Economist)

"…smart book…Part memoir, part market forensics, the book gives an insider's view…" (Bloomberg News)

"Like many pessimistic observers, Richard Bookstaber thinks financial derivatives, Wall Street innovation and hedge funds will lead to a financial meltdown. What sets Mr. Bookstaber apart is that he has spent his career designing derivatives, working on Wall Street and running a hedge fund." (The Wall Street Journal)

"Every so often [a book] pops out of the pile with something original to say, or an original way of saying it. Richard Bookstaber, in A Demon of Our Own Design: Markets, Hedge Funds, and the Perils of Financial Innovation, accomplishes both of these rare feats." (Fortune)

"a must-read amidst the current market chaos" (BusinessWeek.com)

"Bookstaber is a former academic who went on to head risk management for Morgan Stanley and now runs a large hedge fund. He knows the subject and has written a lucid and readable book. To his aid he calls mathematics (from Bertrand Russell to Godel's theorem); physics (particularly Heisenberg's uncertainty principle); and even -- meteorology." (Financial Times)

"The book covers a lot about risk management that is relevant to capital markets conditions today and the liquidity crisis." (Financial Times, Saturday 25th August)

"...an insider's guide to markets, hedge funds and the perils of financial innovation.  We saw plenty of those in 2007."  (The Sunday Telegraph, Sunday 25th November 2007)

"I cannot recommend this book too highly. It is a clear exposition of what the combination of derivatives, leverage and hedge funds can do to the markets.

In short, A Demon of our Own Design is a guide to the dangerous financial markets we have created for ourselves by the clever innovations of structured finance, derivatives, credit default swaps and other newfangled products that are a mystery to the ordinary investor and even plenty of the sophisticates in the investment business. To understand the demonic risks we're taking, read this book."--Forbes.com

From the Inside Flap

It's Wall Street's most painful paradox. Investors are more sophisticated than ever, are enabled by unprecedented technology, and protected by more government oversight and regulation than at any other time in history. Yet Wall Street is becoming a riskier and riskier place. Crashes and catastrophic losses seem commonplace. Hedge funds wreck on the financial shoals with a disturbingly familiar pattern. Worse, today's financial crises do not arise from economic instability or acts of nature, but from the very design of the financial markets themselves.

In A Demon of Our Own Design, Richard Bookstaber paints a vivid picture of a financial world that is ever edging toward disaster. As a hedge fund 'rocket scientist,' Bookstaber provides an insider's perspective to the tumultuous management decisions made by some of the world's most powerful financial figures from Warren Buffett to Sandy Weill to John Meriwether,as well as recounting his own contribution to market calamities. He designed some of the complex options and derivatives that, combined with the globalization of the world's markets and the ever-increasing speed of transactions, allow markets to slide out of control. And he explains why the best efforts of institutions on the front lines to create safeguards, manage risk, and regulate the markets may end up contributing to instability. Bookstaber argues that many of the financial innovations and regulations that are supposed to level the playing field instead make the markets more dangerous for all the players, big and small.

Drawing on his intimate knowledge of such infamous disasters as the 1987 Crash and the demise of Long-Term Capital Management, Bookstaber identifies the key areas that make markets vulnerable: liquidity that begets greater leverage; innovation that creates greater complexity; and a structure that demands a nonhuman level of rationality. The twofold solution he suggests—reducing complexity and breaking the tight coupling of transactions—goes against the prevailing winds of Wall Street, but will lead to a more robust and survivable market.

From the Back Cover

Named a top business book of the year by the Financial Times, Kiplinger's Personal Finance, and Library Journal

Praise for A Demon of Our Own Design

"This book is powerful stuff. When the hero of the story is a cockroach, you are assured of a controversial, illuminating, and fascinating discovery of where the financial risks really lurk and how to avoid them. Bookstaber knows whereof he speaks."
—Peter L. Bernstein, author of Against the Gods: The Remarkable Story of Risk

"Are you ready for the real deal? An insider, everysider view of the Wall Street calamities that have kept investing tantalizingly hot and frighteningly volatile since the crash of '87. For an in-depth, curtains-open, and coolly written exposition of Wall Street, Bookstaber is my man."
—Mark Rubinstein

Professor of Finance, UC Berkeley

"He understands the inner workings of the financial markets. . . . A liberal sparkling of juicy stories from the trading floor."
—The Economist

"I cannot recommend this book too highly. It is a clear exposition of what the combination of derivatives, leverage, and hedge funds can do to the markets."
—Forbes.com

Most helpful customer reviews

168 of 178 people found the following review helpful.
The Wisdom of the Cockroach
By Mercenary Trader
In recounting his time as risk manager at a number of prominent houses (Morgan Stanley, Salomon Brothers, Citigroup etc.), Bookstaber completes the i-banking trifecta. First there was the Michael Lewis classic, Liar's Poker, detailing the juvenile bravado and macho antics of the trading floor. Then Jonathan Knee gave an intimate portrait of the i-banker deal making culture with The Accidental Investment Banker.

And now, in A Demon of Our Own Design, we get a glimpse at the risk management side of things... a sort of master plumber's walking tour through the bowels of the system, with technical descriptions of exactly what happens when pipes burst and boilers explode. (Some will find Bookstabers' level of detail intolerably dull; others will find it quite fascinating. I was in the fascinated camp.)

Nature of the beast

In describing the finer points of risk arbitrage, Bookstaber explains why it's normal -- expected even -- for trading desks to take a good whack every so often. The nature of the beast is to make relatively steady profits, month in and month out, and then give back a chunk of those profits when something goes haywire. (That's how you move huge sums on an arb desk; grind out small bets that are almost guaranteed to work, juice up the returns with leverage, and try not to be in the vicinity when the rare position goes kablooey.)

In light of this general modus operandi, perhaps it isn't surprising that the "quant" funds recently took a major hit (as of September 2007). They had been minting money for an extraordinarily long period, had the leverage to show for it, and now, after the recent "oops," seem to be generally back in business.

In fact it appears natural for much of Wall Street to work in this "make a little, lose a lot" fashion... the key idea being that all the little updrafts make up for the once-in-a-blue-moon downdrafts. (Such calculus works better for the fee collectors than the fee payers, but that's a different kettle of fish.)

Bookstaber's detail-rich description of the various trades that investment houses put on, many of them lasting years, is also enlightening. The details seem to confirm that, by and large, Wall Street is a gigantic, slow moving, conventional-returns type machine. (And what else could it be, really, with such an ocean of capital to allocate and so many jobs to fill? There is only so much creativity and contrarianism to go round.)

A dangerous combination

Risk manager war stories aside, Bookstaber's goal is to hammer home a key philosophical point regarding risk. He wants readers to understand that financial markets are inherently unstable, and this reality places limits on how far we (or anyone) should go in pursuit of outsized returns.

To make his point, Bookstaber uses various analogies to describe how the market is a highly complex, tightly coupled system... and to explain why the combination of high complexity and tight coupling is particularly dangerous.

The counterexample Bookstaber gives of a highly complex, loosely coupled system is the US Postal Service. The USPS has countless potential points of failure and myriad moving parts, but there are no catastrophic linkages involved. A lost package does not set off a disastrous daisy chain of events in which millions of packages are lost.

In contrast, the classic example of a highly complex, tightly coupled system is a nuclear reactor. The reactor is tightly coupled because any point of failure can lead to a knock-on chain reaction; one small thing going wrong can set the entire mechanism on a path to disaster. Being a highly complex, tightly coupled system, the market is less like the postal service and more like the nuclear reactor, in that the combination of aggressive leverage, complex methodologies and heavily interlocking parts leads to significant potential for catastrophe.

Exquisitely adapted

Another serious problem is Wall Street's deeply ingrained tendency to push the envelope. (Richard Lowenstein put it exceptionally well in his book Origins of the Crash: "Finance has its own Peter Principle, by which a successful model will be adapted to progressively riskier causes until it fails.")

In this habit of fighting for every inch of profit, Wall Street is like a self-evolving animal overquick to embrace the particulars of its immediate environment. The more precisely an animal is attuned to a particular "fitness landscape," the better that animal can thrive... in the short term at least, as long as everything stays just so. To be exquisitely adapted (as opposed to robustly adapted) is to be vulnerable to the slightest change.

Thus when the fitness landscape DOES change -- as it inevitably will -- the heavily specialized competitors tend to get crushed (if not go extinct). If a strategy-gone-sour broadsides a large enough group of market participants, the entire financial ecosystem can be thrown into turmoil. When the turmoil from this upheaval spills into the broader economy, wreaking havoc in its wake, the "demon" spoken of in the book's title is unleashed. (As this reviewer interprets it anyway.)

Wisdom of the cockroach

So the problem, in sum, is Wall Street's tendency to `overadapt' to every appealing landscape it encounters, building up complexity and leverage to dangerous levels in doing so.

Bookstaber's suggestion is to heed the wisdom of the cockroach.

The cockroach has survived a longer time span, and a wider variety of harsh environments, than humans could ever match. It is one of the creatures man cannot wipe out no matter how hard he tries. And yet, the cockroach's key risk management strategy is embarrassingly simple... simpler, even, than putting in a stop loss. The deeper point is that simple equals robust; by refusing to get fancy, and sticking with the tried-and-true, the cockroach ensures its reign as champion survivor.

Bookstaber uses the cockroach (and other examples from nature) to argue that we, too, should consider cutting back on our excessively specialized ways. The cost of a rough-edged strategy is forgoing excess profits in accomodative environments... but the benefit is increased likelihood of survival in a much wider range of environments, including the truly harsh ones. (As Jim Grant likes to joke, if so many of these credit-driven vehicles can barely handle prosperity, how are they supposed to fare when adversity hits?)

Harrumphs all round

Bookstaber's finger-wagging solution (be less fancy; take less risk) has the ring of common sense to it, especially in the way it frustrates all those market participants determined to have their cake and eat it too.

For those who seek to wring every last nickel out of the market (as LTCM used to brag of doing), Bookstaber argues persuasively that flying too close to the sun will always be perilous. The commitment to leveraging every edge on a broad scale inevitably leads to disaster-prone configurations, no matter how smart the players.

For those who think the answer is greater regulation of markets, i.e. more rules, Bookstaber shows how extra layers of bureaucracy can actually bring about the exact opposite of the intended affect. Perversely, layers of red tape can (and often do) make a situation more risky, by increasing confusion and complacency simultaneously.

Nor is greater information disclosure the answer. If the market's traditional liquidity providers (traders, market makers, speculators etc.) are forced to disclose their positions to the world in real time, they will react in the manner of poker players forced to play their hands face-up. To the extent that disclosure resolves uncertainty, it also drives market participants from the game. And because "liquidity is a coward" as the old saying goes, always running away when you need it most, strict disclosure rules would likely make bad market conditions worse at the least opportune times.

Some left smiling

Two groups in particular may be left smiling at the end of this book -- value investors and trend followers. In both the theory and practice of their normal operations, value investors and trend followers intuitively embraced Bookstaber's message a long long time ago, favoring longevity and robusticity over the temptations of adjusting to the moment.

It is perhaps not surprising, then, that value investors and trend followers are arguably the most profitable market participants by far on an absolute-dollar basis, hauling in hundreds of billions in profit over the course of many decades. They are champion survivors too... with a touch more class than the cockroach.

129 of 144 people found the following review helpful.
Essential context for understanding trading
By Aaron C. Brown
This is an entertaining account of 25 years of financial disasters by a smart insider who is also a keen observer and witty storyteller. Some authors take simple ideas and cloud them with hairsplitting definitions and complex equations, real mathematicians like Bookstaber effortlessly work in deep concepts like sufficient statistics and state variables without any equations or formal mathematics.

The best part of this book is the context. If you read books on individual disasters the situations come across as complex and the people as tragic geniuses. If you read the one paragraph versions favored by the business press, the underlying trades seem impossibly simple, and the protagonists seem to be morons. This book shows the euphoria of winning trades when money flows in like magic, and the confusion and shock that result from unanticipated losses. There are many reactions to these losses: cut them quickly, ride out the storm, even double up the bets. Each of these sometimes works and sometimes makes the situation worse. Only after reading all the permutations and outcomes can you understand the stark choices posed as the disasters unfold. The players are neither idiots nor geniuses, they are smart but ordinary people, facing understandable human dilemmas.

This context is precisely what is missing in the chapter on engineering disasters. If you look only at disasters, when by definition all the safety precautions failed, it's no surprise that you'll conclude safety precautions are worthless. If you only look at the most dramatic disasters, it's no surprise you'll conclude that the most ambitious, advanced, complex and tightly-coupled systems are the most prone to catastrophe. Bookstaber relies on writers I call the dismal engineers. I think optimists like Duke civil engineering professor Henry Petroski have more to say to financial risk managers. Petroski wrote "no one wants to learn from mistakes, but we can't learn enough from successes to advance the state of the art."

The chapters on biological, mathematical and quantum mechanical limits on rationality are interesting speculations. Bookstaber appears to know, or perhaps to care, more about these fields than about engineering. However even in these cases his thesis is not entirely convincing within the realm of discussion, nor is the analogy he wants to draw to finance compelling. There's another good book (or three) in these ideas, this book gives only a taste of the arguments.

Despite being a very smart guy with a quarter century of experience in cutting-edge trading, Bookstaber cannot overcome the disadvantages of being trained as an economist, especially an MIT economist. In the final analysis, he believes risk is bad. Trading is defended as socially useful when it provides liquidity, when traders exploit pricing discrepancies caused by short-term supply and demand forces. These traders stabilize the market. But at least half of trading is trend-following, which exacerbates pricing discrepancies and sucks up liquidity, destabilizing the market. To a University of Chicago finance guy, these are symmetrical market forces, both good. Bookstaber correctly points out how financially-supplied liquidity ushered in the Industrial Revolution by converting frozen wealth to dynamic capital. But he doesn't mention the momentum traders who forced prices quickly to their eventual equilibrium, sweeping aside those who try to stand in the way of progress. This is the creative destruction of capitalism. Economists are comfortable with the markets facilitating real economic decisions, spreading the inherent risk among willing investors. They are less comfortable with the market forcing real economic decisions, creating virtual risk and imposing it upon unwilling actors.

This anti-risk bias shows in the account of Tulipmania and the reflexive comparison of financial disaster to engineering disasters. No one died at Long-Term Capital Management. It's true that some financial crises, like the 1997 Asian Crisis, impose human costs, but financial crises are virtual, and therefore less harmful than the same degree of failure with physical economic experimentation, and far, far less harmful than the retarded progress if experimentation is slowed. Bookstaber celebrates the liquidity provided by a shrewd swimsuit retailer who anticipates fashion and supplies her customers' demand without excessive price increases. Nowhere does he mention the businesses that create fads, including swimsuit fashions, and thereby the need for liquidity providers. Economists like businesses that respond to exogenous consumer preferences, they have trouble with businesses that manipulate consumer preferences. But both are needed for successful dynamic economies.

None of this takes away from the fact that this is an entertaining and insightful book, essential reading for people interested in financial risk. I disagree with Bookstaber's conclusions calling for slowing market innovation and trading, but I think these are preconceptions from his early training rather than the result of his experiences since.

48 of 51 people found the following review helpful.
Treatise + autobiography + payback of former colleagues
By D. C. Carrad
Extremely well-written and thought-provoking. The author has a wide range of interests and knowledge, from yield curve behavior to cockroach survival traits, and explains them all lucidly, simply and in an entertaining and practical manner. He has a deep understanding of the workings of the financial markets, and shares several unique perspectives in this book which I have not read elsewhere, and it is extremely valuable for that reason alone. He is one of those rare geniuses who can keep his autobiographical urge to an interesting, useful and entertaining minimum, only mentioning his personal experiences when they provide insights into larger themes (cf. Black Swans). The author does occasionally use the book as a platform for payback to former colleagues who have done him wrong, but this is done with a stiletto, not a blunderbuss, and is fun to watch. Always well-written, occasionally entertaining. Very highest recommendation.

See all 79 customer reviews...

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Rabu, 08 September 2010

[X838.Ebook] Fee Download Learn Tamil in a Month: An Easy Method of Learning Tamil Through English without a Teacher (English and Tamil Edition), by S. Krishnamurth

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Learn Tamil in a Month: An Easy Method of Learning Tamil Through English without a Teacher (English and Tamil Edition), by S. Krishnamurth

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Learn Tamil in a Month: An Easy Method of Learning Tamil Through English without a Teacher (English and Tamil Edition), by S. Krishnamurth

Learn Tamil in a Month: An Easy Method of Learning Tamil Through English without a Teacher (English and Tamil Edition)

  • Sales Rank: #556002 in Books
  • Published on: 2000-12-31
  • Original language: English, Tamil
  • Number of items: 1
  • Dimensions: 6.89" h x .35" w x 4.72" l, 1.10 pounds
  • Binding: Paperback
  • 196 pages

Most helpful customer reviews

8 of 8 people found the following review helpful.
Nice!!!
By Julio Eduardo S R Simoes
I bought this one when I was planning my journey to India, where I stayed for 6 months.
Studying with it and also with a native Tamil speaker while in India I obtained a LOT of congratulatory comments from my Indian colleagues, that make me believe this is a very nice start kick to Tamil language.
Despite, it's just impossible to do what the title invites you to: learn Tamil in a month, without ever hearing it? No, not possible.

9 of 11 people found the following review helpful.
Intro to Tamil
By Joel Bjorling
Tamil is one of the main Indian languages. For me, understanding the grammatical details is a bit confusing because it seems to "decline" words differently from other languages. Many grammatical terms are in Tamil, which makes things somewhat difficult to pronounce or understand. This is probably one of the main texts on Tamil and it's one that you need to take your time with, step by step. Tamil has a beautiful script. It is great for calligraphy.

3 of 3 people found the following review helpful.
Great!
By Clifton Garraway
Great! Fast Shipping!
I like that it includes cultural dialogue as well this is a really good idea for language learners

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Selasa, 07 September 2010

[J398.Ebook] Free PDF The Twisted Muse: Musicians and Their Music in the Third Reich, by Michael H. Kater

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The Twisted Muse: Musicians and Their Music in the Third Reich, by Michael H. Kater

Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent?
These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader.
Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems.
This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.

  • Sales Rank: #1737891 in Books
  • Published on: 1999-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.10" l, 1.19 pounds
  • Binding: Paperback
  • 344 pages

Amazon.com Review
In literature, music is the food of love and soothes the savage beast; in politics, it can be perverted by the worst of causes. So claims Michael Kater in his compelling study of music and musicians in the Third Reich, The Twisted Muse. What did it mean to compose music for Hitler and his Nazi regime? Kater asks; can artists working in a climate of oppression and fascist demagoguery dismiss their roles by claiming they created or performed for the sake of art alone? To answer these questions, Kater approaches his subject from two different angles: first, he examines the lives of musicians living under the Nazi regime--from little known musicians struggling in the orchestra pit to the great and famous, including Richard Strauss and Elisabeth Schwarzkopf. Next, he examines the role music played in the Third Reich and the ways in which the Nazis manipulated it as propaganda.

The Twisted Muse is part biography, part history, but it is wholly fascinating. Michael Kater's unique approach to the subject of music and musicians as tools of the state ensures a wide audience, not only among music lovers, but among all those interested in politics, culture, or psychology.

From Publishers Weekly
The fate of musicians in Nazi Germany is a controversial subject that has been dealt with only sparingly in the past, mostly in the course of studies of such superstars as Wilhelm Furtwangler, Herbert von Karajan, Elizabeth Schwartzkopf, Otto Klemperer and Bruno Walter. Kater, a cultural historian based at York University in Toronto, who has already written books on jazz in Nazi Germany and on how doctors fared under Hitler, has done prodigious primary research, much of it in hitherto unexamined files, to emerge with a mountain of fresh material. He does indeed discuss the well-known names-finding in most cases that their behavior falls within a gray area rather than the stark black-and-white outlines so often presented by admirers or detractors-but also examines the fate of ordinary orchestral musicians, and of journeyman soloists and composers, some of whom were never known outside the country. He writes of the Nazis' frustrating attempts to create a valid contemporary music style free of "Jewish" and jazz influences, the role serious music played in the war effort and the remarkably different routes to survival chosen by composers as unlike as Richard Strauss, Hans Pfitzner, Carl Orff and Karl Amadeus Hartmann. A work this exhaustive and extensively footnoted is obviously not for a casual reader; but anyone seriously interested in the interface of art and a peculiarly threatening political culture will find it endlessly fascinating.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
This exhaustively researched book fills a conspicuous lacuna in 20th-century musicology. Kater, a Canadian researcher based at York University, presents a detailed, disturbing, but always compelling account of the musical scene in Germany during the Nazi era. Clearly and logically organized, the five chapters deal with the Nazi music bureaucracy, political compromise among music professionals, the persecuted Jewish and anti-Nazi musicians, music in educational and religious institutions, and the Nazis' concept of modernity in music and its impact on the leading composers and conductors of the time. Complex figures such as Richard Strauss and Wilhelm Furtwangler are treated thoroughly and dispassionately. Strauss emerges more sympathetically than in previous studies, while Furtwangler is shown to have been more odious in his thoughts and actions than previously believed. There is a great deal here to engage scholars and professional musicians as well as general readers interested in the study of music and ideology. Highly recommended for all libraries.?Larry Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1997 Reed Business Information, Inc.

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68 of 70 people found the following review helpful.
Disappointing; regrettably unreliable
By Laon
I went to this book for some background information on the Nazi reception of modernism in music. Unfortunately, though I found it well written, and I share Kater's mordant view of the composers and musicians who were prepared to futher their careers by going along with Nazi policies, I found that I would hesitate before I cited or applied factual claims from the book without first getting independent confirmation.

The problem is that I do know one related area reasonably well, the Nazi reception and perception of Wagner. And what Kater says there is not just wrong, but wrong in ways that I find worrying. It's not that I think that Wagner is the most important issue in relation to Third Reich cultural policies - far from it. It's just that when you find that you can't trust what a book says about a field you do know, it leaves you worried about its claims in the areas you don't know.

Three examples. First, Kater wrote, "The evidence shows that although public stagings of Wagner operas nationally had been decreasing long before the onset of the Third Reich, and even more so after 1933, in absolute figures these performances still topped the list until 1942/43, with works by such composers as Verdi, Puccini, and Strauss well behind." [page 39]

In reality "public stagings of Wagner operas nationally" increased each year before "the onset of the Third Reich", right up to the 1932/33 season, but decreased immediately and dramatically after the Nazis took power, for the 1933/34 season, and that decrease continued and accelerated during the Nazi era.

And although Wagner had invariably "topped the list" under the Weimar democracy, with hundreds more Wagner performances each year than performances of any of his nearest rivals, in reality he quickly lost that position once the Nazis seized the cultural reins. Wagner had lost first place to Verdi by the 1937/38 season, regained it (by just 18 performances) in 1938/39, and then lost by hundreds of performances in 1939/40, slipping further down the ranks in subsequent years. Some people may find that surprising, but there it is.

Second, Kater wrote of Hitler's "autobiography, which he started writing while imprisoned as Landsberg in 1924-25, naming it _Mein Kampf_, not accidentally after Richard Wagner's own _Mein Leben_."

But there are two problems with Kater's claim that the title "My Struggle" is a sort of homage to Wagner's title, "My Life". One is that all that the two titles have in common is the word "My", like "My Apprenticeship" by Maxim Gorki, "My Life", by Bill Clinton, and so on. More importantly, Hitler actually called his book _Four and a Half Years of Struggle Against Corruption, Stupidity and Lies_. The snappier title, _Mein Kampf_, was chosen by Hitler's publishers.

Still, maybe Kater misread the tables of performance numbers. Maybe he didn't know Hitler's own title for his autobiography. Still, _The Twisted Muse_ is Kater's sixth book about the Third Reich and its cultural policies. Shouldn't a specialist, whose publishing history suggests he'd been working this territory for over 20 years when this book came out, know this stuff?

Which leads to my third example, the problem of Kater's Rosenberg quote. Kater derided the evidence, cited in Frederick Spotts' _Bayreuth_ history, that the Nazi ideologue Alfred Rosenberg was hostile to Wagner. Kater's supposed clincher, proving that Rosenberg was a fervent Wagnerian, was this quotation from Rosenberg's _Myth of the Twentieth Century_: "The cultural accomplishment of Bayreuth is perennially beyond discussion."

But in Rosenberg's book this sentence is not in fact part of a eulogy to Wagner, as Kater would have you believe, but the beginning of a criticism of Wagner that dismisses his theories and much of his work, especially the _Ring_ and _Parsifal_. The actual passage, from Book II, chapter 4, goes:

"The cultural achievement of Bayreuth will remain forever beyond question. But nevertheless, today a turning away from the basic teachings of Wagner has begun, away from the assertion that dance, music and the poetic art are forever linked in the manner proclaimed by him; and away from the assertion that Bayreuth was, in fact, the unchangeable consummation of the Aryan mystery."

Could Kater have read the one sentence he cited, then instantly closed his eyes and shut the book so that he never saw the next sentence, which happened to change Rosenberg's meaning completely? It doesn't seem possible. It's difficult to see how this quotation could be anything other than deliberately deceptive.

Kater, obviously, was running a very strong agenda, in relation to Wagner. Now, it's possible that someone can get carried away because of a controversy, and be unreliable only in that area while remaining scrupulously accurate in all other areas. But my problem is, I don't know. I read an statement by Kater about the Nazi reception of modernism, and I wonder, "But is that really true? Or if it is true, is it misleadingly selected?" And I can't tell. I can't rely on it.

Fortunately, there's another book covering the same territory, that passes the test of being accurate in areas I know, and that seems academically scrupulous in the areas I don't know. That's Erik Levi's _Music in the Third Reich_, published in 1994, also available from Amazon. Levi is no more impressed by Wagner's antisemitism than Kater is, or I am, but that doesn't drive him to start making stuff up, and that's important.

Therefore Levi's _Music in the Third Reich_ is the book in this field that I cite with confidence, and that's the book that I've kept. I recommend Levi's book. Unfortunately, I can't recommend this one.

Cheers!

Laon

32 of 41 people found the following review helpful.
Indispensable!
By Russel E. Higgins
Michael H. Kater's book "The Twisted Muse" is indispensable reading for any musicologist or serious music lover. The book discusses in rich detail the music and musicians of the Third Reich, a twelve year nightmare in Germany and Austria, that destroyed the creative spirit of every musician and composer living there. Mr. Kater explains the difficulty of being a musician in the Third Reich, and dramatically documents the disabling Nazi disease that infected every composer and conductor. There were no heroes, with the possible exception of Erich Kleiber who emigrated to Buenos Aires to begin a new artistic life, and Karl Amadeus Hartmann, a composer who silenced himself in Hitler's Germany and offered as much resistance to Nazism as he could. The rest were victims. or worse, perpetrators of Nazi horror. Some musicans joined the Nazi Party in order to survive and feed their families; other joined the Party to further their own careers. Knappersbusch, Furtwangler, Tietjen, von Karajan, and Boehm showed amazing duplicity toward one another, frequently acting like beasts. Cultured and well-educated Germans were sometimes reduced to the bestial level of a Goering or a Goebbles. In fact, Nazi Germany, as Mr. Kater points out, was an a veritable scorpions' nest of egomaniacal conductors and composers advancing their careers at the expense of colleagues. For example, the composer Hans Pfitzner -- one of the few serious composers the Nazis could showcase -- is particularly portrayed as an embittered, pathetic man, filled with anger and duplicity. Mr. Kater brings a new and fascinating perspective to such famous Third Reich composers as Carl Orff, Werner Egk, and Rudolf Wagner-Regeny, not evil men, but far from virtuous, who used Nazism for personal advancement. The author introduces the reader to little known German composers like Paul Graener, who suffered a particularly cruel and ignominious end; Max Trapp, a mediocre composer who wrote reams of kitsch for the Party; and George Vollerthun, a composer the Nazis needed so much that he survived a homosexual scandal in the 1930's. Mr. Kater traces the careers of these composers as well as those who left Germany --Hindemith, Schoenberg, Weill, Korngold -- with brilliant perspective. Of particular interest are the many pages devoted to the controversial Richard Strauss. Mr. Kater's thesis is that the Nazis made Strauss pay for his sins against the dictatorship by permitting Strauss's grandsons to be physically molested, by harassing Strauss's family in Garmisch, and by murdering twenty-six members of his Jewish daughter-in-law's family. Ironically, her husband, Strauss's only son, was a fervent Nazi of relatively high rank. In the final two chapters, Mr. Kater discusses the institutionalized "hausmusik" written for Nazi youth, the music for brass ensembles, and the battle music for the pagan youth festivals and SS concert bands. He also devotes intriguing sections to the Nazi's quest for a musical philosophy and a serious composer that imbued the Fascist philosophy. Mr. Kater's discussion of Hindemith as being the ideal man (modern, an "Aryan," not a twelve-tone composer) is interesting. But the Nazis never found their composer and never defined what serious Nazi music was to be. Mr. Kater documents his phenomenal study with over 1090 footnotes; sometimes a footnote will cite four or five independent sources, including letters, memories, documents, and diaries. In short, this is a magnificent study, probably the most intriguing, best written, and most comprehensive history of music in the Third Reich yet written.

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Sabtu, 04 September 2010

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Voices of Liberation: Frantz Fanon, by Leo Zeilig

A leading light of the anti-colonial revolts of the 1960s and '70s, Frantz Fanon also prophetically explored the dangers of post-colonial power. Voices of Liberation: Frantz Fanon is a rich exploration of Fanon's life and times, combining interviews with those who fought alongside him with selections from his work. This book gives and giving new insight into the extraordinary life and ideas of one of the twentieth century's most important revolutionaries.

Leo Zeilig is a lecturer at the Institute of Commonwealth Studies, University of London; Senior Visiting Fellow, South African Research Chair in Social Change; Faculty of Humanities, University of Johannesburg; and editor of Class Struggle and Resistance in Africa.

Mireille Fanon-Mendes-France is the president of the Frantz Fanon Foundation and the daughter of Frantz Fanon.

  • Sales Rank: #1858678 in Books
  • Published on: 2016-04-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .80" w x 5.80" l, .0 pounds
  • Binding: Paperback
  • 312 pages

About the Author
Leo Zeilig is a lecturer at the Institute of Commonwealth Studies, University of London, Senior Visiting Fellow, South African Research Chair in Social Change, Faculty of Humanities, University of Johannesburg, and editor of Class Struggle and Resistance in Africa.

Mireille Fanon-Mendes France is the president of the Frantz Fanon Foundation and the daughter of Frantz Fanon.

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Jumat, 03 September 2010

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This exciting new text provides an up-to-date account of Fungi using "Morphology and Life History" approach to different fungal genera along with some general aspects of fungi. Topics are treated in a concise and factual manner with due emphasis on recent developments.

  • Sales Rank: #15332304 in Books
  • Published on: 1988-12-01
  • Original language: English
  • Dimensions: 22.80" h x 1.77" w x 15.28" l, .46 pounds
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  • 304 pages

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